The Imperfect Image was an event to form a critical view on the image culture today which impacts beyond only practices whose main outcome is ‘image’. It is to gather various perspectives on the issue from publishers, image-makers, photographers, artists, and thinkers on the interrelation of production and consumption of image culture. The event took shape in two iterations in Rotterdam and in Isfahan.


Imperfect Image - Rotterdam

Date: January 2017
Location: Stad in de Maak, Rotterdam

Imperfect Image in Rotterdam was an event of talks, discussions, and showcasing special books and prints.

Editors of Sarmad Magazine (Alireza, Golnar) gave their viewpoint on the urgency of experimental image-making and independent publishing in today’s world flooded with images. In addition, they discussed specific practices that take us back to the fundaments of image production.

Melle Smets, artist and founder of Stichting Aardschap, discussed how he views, selects, and implements images in his practice as an alternative way to approach artistic production.

Members of the radical publishing house Woodstone Kugelblitz, discussed how, despite their skepticism towards consumption and circulation of images, see working with images an essential part of their artistic practice.

Sarmad Magazine and Woodstone Kugelblitz showcased their limited-edition prints, books, and newspapers and discussed their production process. The event was hosted by Stad in de Maak.




Imperfect Image - Isfahan 

Date: August 2017
Location: CC.artspace

This event raised questions about the "rights" and "wrongs" of the world of image making, and photography in particular. It traced the genealogy of the epistemological and disciplinary frameworks back to the turn of the century and the introduction of the photo camera into the ‘industrial’ imaginary. And discussed experimental image making techniques as ways to work beyond and outside of these frameworks that perhaps do not make much sense!





Mark