Yufeng Yang positions herself as a time killer and sometimes a composer, experimenting with aimless long-term engagement with materials whilst accepting the uncertainty that comes with daily experiments in forms of installations, performances, videos and drawings.
Influenced by a Chinese Buddhist family, she has developed a strong tendency to decentralise the “self” through artistic meditation by using natural materials and daily leftovers. In her practice, she explores the connection between performance art and Chan(Zen), with an interest on exploring the in-between space of ‘“something" and “nothing”.
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